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Money and beauty. Bankers, Botticelli and the bonfire of vanities in Florence
From September 23rd, 2011 to January 22nd, 2012 the Palazzo Strozzi in Florence will house the exhibition Money and beauty. Bankers, Botticelli and the bonfire of vanities.
Masterpieces by Botticelli, Filippo Lippi, Beato Angelico, Paolo Uccello, Donatello, Antonio del Pollaiolo, Domenico Veneziano and Lorenzo di Credi – the cream of Renaissance artists – show how the modern banking system developed in parallel alongside the most important artistic flowering in the history of the Western world. The exhibition also explores the links between that unique interweave of high finance, economy and art, and the religious and political upheavals of the time.
Money and Beauty. From Bankers to Botticelli and the Bonfires of the Vanities recounts the birth of our modern banking system and of the economic boom that it triggered, providing a reconstruction of European life and the continent’s economy from the Middle Ages to the Renaissance. Visitors can delve into the daily life of the families that controlled the banking system and perceive the ongoing clash between spiritual and economic values that was such a feature of it. The saga of the art patrons is closely linked to that of the bankers who financed the ventures of princes and nobles alike, and indeed it was that very convergence that provided the humus in which some of the leading artists of the time were able to flourish.
The exhibition takes the visitor on a journey to the roots of Florentine power in Europe, but it also explores the economic mechanisms which allowed the Florentines to dominate the world of trade and business 500 years before modern communication methods were invented, and in so doing, to finance the Renaissance. The exhibition analyses the systems that bankers used to build up their immense fortunes, it illustrates the way in which they handled international relations and it also sheds light on the birth of modern art patronage, which frequently began as a penitential gesture only to then turn into a tool for wielding power.
Curated by writer and translator Tim Parks, author of Medici Money - Banking, Metaphysics and Art in Fifteenth-century Florence, and by art historian Ludovica Sebregondi, the exhibition aims to provide the visitor with an opportunity to look at art from a cross-disciplinary perspective involving economists, politicians and diplomats, and to examine the story of how the Florentine Renaissance began from the standpoint of the (open, but more often hidden) relationship between art, power and money. Hence its title: Money and Beauty.
Crucial to the illustration of this story are the masterpieces created for the great banking families, while the trajectory of Florence’s great families, rocked by financial setbacks, drew to a close with the political and religious storm triggered by Savonarola. With his "bonfires of the vanities", the Dominican friar rejected everything that the Renaissance had stood for, even though he was part and parcel of it himself. A multimedia reconstruction illustrates and interprets the bonfires’ significance and content.
The exhibition also uses the detailed depiction of episodes in bankers’ daily lives (the work of several leading Flemish artists) to illustrate the era when Florence was the financial capital of the world, and an array of multimedia tools help the visitor to get a clear perception of the ways in which trade was conducted and money travelled throughout the known world at the time.
Opening times: daily 9,00-20,00, Thurdays 9,00-23,00
Last admission to the exhibition 1 hour before closing
Bookings
Sigma CSC
Tel. +39 055 2469600
Fax. +39 055 244145
prenotazioni@cscsigma.it
For further information: +39 055/2645155
Address:
Piazza Strozzi, 50123 Florence (FI)
FOR THE LOVE OF GOD - Damien Hirst in Florence
E' aperta al pubblico nello Studiolo di Francesco I in Palazzo Vecchio la mostra "For the Love of God", che espone il 'teschio di diamanti' dell'artista inglese Damiel Hirst. "For the Love of God" è un calco di platino di un teschio umano in scala reale tempestato di 8.601 diamanti al massimo grado di purezza o con pochissime imperfezioni, per un totale di 1.106,18 carati. Sulla fronte è incastonato un grande diamante rosa a forma di goccia anche noto come “la stella del teschio”. I denti sono stati ricavati da un cranio vero del Settecento acquistato da Hirst a Londra. Un'opera che non ha precedenti nella storia dell’arte e che da quando è stato creato è stato esposto solo due volte, a Londra nel 2007 e a Amsterdam nel 2008. Il biglietto di ingresso alla mostra, comprensivo della visita a Palazzo Vecchio, costa 10 euro. Gli orari sono gli stessi di Palazzo Vecchio: tutti i giorni 9-24, il giovedì 9-14.
Uffizi Gallery
This is one of the most famous museums of paintings and sculpture in the world. Its collection of Primitive and Renaissance paintings comprises several universally acclaimed masterpieces of all time, including works by Giotto, Simone Martini, Piero della Francesca, Fra Angelico, Filippo Lippi, Botticelli, Mantegna, Correggio, Leonardo da Vinci, Raphael, Michelangelo and Caravaggio. German, Dutch and Flemish masters are also well represented with important works by Dürer, Rembrandt and Rubens.
The Uffizi Gallery occupies the top floor of the large building erected by Giorgio Vasari between 1560 and 1580 to house the administrative offices of the Tuscan State. The Gallery was created by Grand-duke Francesco I and subsequently enriched by various members of the Medici family, who were great collectors of
paintings, sculpture and works of art. The collection was rearranged and enlarged by the Lorraine Grand-dukes, who succeeded the Medici, and finally by the Italian State.
The Uffizi buildings also house other important collections: the Contini Bonacossi Collection and the Collection of Prints and Drawings (Gabinetto Disegni e Stampe degli Uffizi).
The Vasari Corridor, the raised passageway connecting the Uffizi with the Pitti Palace, was built by Vasari in 1565. It is hung with an important collection of 17th-century paintings and the famous collection of artists’ Self-portraits.
Felix Nadar & Co. at the Marino Marini Museum in Florence from 13th October 2010 at 10:00 a.m. to 09th November 2010 at 05:00 p.m.
From 13.10.2010 to 09.11.2010 is open in Florence the at the Marino Marini Museum.
More than 40 photo-portraits shot by the French photographer Felix Nadar - and selected out of the mediatheque de l’architecture et du patrimoine will be shown at the Museo Marino Marini, beside recent works by contemporary artists who tribute an homage to him and his portfolio.
Among the artists invited, just to name a few, Frank Horvat, Gabriele Basilico, Bernard Plossu, Jean-Patrick Gueritaud, Pierre Grech, Francesco Zizola, Julia Fullerton-Batten, Agnès Geoffray, Samantha Appleton, Alexandra Auffret, Chen Man.
From the 21st to the 23rd of October, in parallel to the Festival della Creatività, the exhibition will be open to the general public free of charge.
Opened:
Monday: 10.00 am - 5.00 pm
Wed - Sat: 10.00 am - 5.00 pm
Closed on Tuesday, Sunday and on public holidays.
Tickets:
adults: € 4
children, seniors: € 2
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MIGLIOR PREZZO GARANTITO
Miglior prezzo garantito sul nostro sito web e....SE TROVATE UN PREZZO MIGLIORE DI QUESTO SITO CHIAMATECI E SCONTEREMO QUEL PREZZO DEL 10% SE PRENOTATE DIRETTAMENTE CON L'HOTEL. !!!
WIRELESS INTERNET GRATIS !!!
POSIZIONE ECCELLENTE !!!
Siamo a due passi dal duomo...non avrete bisogno mai di ricorrere ai mezzi pubblici o all'auto !!!
Money and beauty. Bankers, Botticelli and the bonfire of vanities in Florence
From September 23rd, 2011 to January 22nd, 2012 the Palazzo Strozzi in Florence will house the exhibition Money and beauty. Bankers, Botticelli and the bonfire of vanities.
Masterpieces by Botticelli, Filippo Lippi, Beato Angelico, Paolo Uccello, Donatello, Antonio del Pollaiolo, Domenico Veneziano and Lorenzo di Credi – the cream of Renaissance artists – show how the modern banking system developed in parallel alongside the most important artistic flowering in the history of the Western world. The exhibition also explores the links between that unique interweave of high finance, economy and art, and the religious and political upheavals of the time.
Money and Beauty. From Bankers to Botticelli and the Bonfires of the Vanities recounts the birth of our modern banking system and of the economic boom that it triggered, providing a reconstruction of European life and the continent’s economy from the Middle Ages to the Renaissance. Visitors can delve into the daily life of the families that controlled the banking system and perceive the ongoing clash between spiritual and economic values that was such a feature of it. The saga of the art patrons is closely linked to that of the bankers who financed the ventures of princes and nobles alike, and indeed it was that very convergence that provided the humus in which some of the leading artists of the time were able to flourish.
The exhibition takes the visitor on a journey to the roots of Florentine power in Europe, but it also explores the economic mechanisms which allowed the Florentines to dominate the world of trade and business 500 years before modern communication methods were invented, and in so doing, to finance the Renaissance. The exhibition analyses the systems that bankers used to build up their immense fortunes, it illustrates the way in which they handled international relations and it also sheds light on the birth of modern art patronage, which frequently began as a penitential gesture only to then turn into a tool for wielding power.
Curated by writer and translator Tim Parks, author of Medici Money - Banking, Metaphysics and Art in Fifteenth-century Florence, and by art historian Ludovica Sebregondi, the exhibition aims to provide the visitor with an opportunity to look at art from a cross-disciplinary perspective involving economists, politicians and diplomats, and to examine the story of how the Florentine Renaissance began from the standpoint of the (open, but more often hidden) relationship between art, power and money. Hence its title: Money and Beauty.
Crucial to the illustration of this story are the masterpieces created for the great banking families, while the trajectory of Florence’s great families, rocked by financial setbacks, drew to a close with the political and religious storm triggered by Savonarola. With his "bonfires of the vanities", the Dominican friar rejected everything that the Renaissance had stood for, even though he was part and parcel of it himself. A multimedia reconstruction illustrates and interprets the bonfires’ significance and content.
The exhibition also uses the detailed depiction of episodes in bankers’ daily lives (the work of several leading Flemish artists) to illustrate the era when Florence was the financial capital of the world, and an array of multimedia tools help the visitor to get a clear perception of the ways in which trade was conducted and money travelled throughout the known world at the time.
Opening times: daily 9,00-20,00, Thurdays 9,00-23,00
Last admission to the exhibition 1 hour before closing
Bookings
Sigma CSC
Tel. +39 055 2469600
Fax. +39 055 244145
prenotazioni@cscsigma.it
For further information: +39 055/2645155
Address:
Piazza Strozzi, 50123 Florence (FI)
FOR THE LOVE OF GOD - Damien Hirst in Florence
E' aperta al pubblico nello Studiolo di Francesco I in Palazzo Vecchio la mostra "For the Love of God", che espone il 'teschio di diamanti' dell'artista inglese Damiel Hirst. "For the Love of God" è un calco di platino di un teschio umano in scala reale tempestato di 8.601 diamanti al massimo grado di purezza o con pochissime imperfezioni, per un totale di 1.106,18 carati. Sulla fronte è incastonato un grande diamante rosa a forma di goccia anche noto come “la stella del teschio”. I denti sono stati ricavati da un cranio vero del Settecento acquistato da Hirst a Londra. Un'opera che non ha precedenti nella storia dell’arte e che da quando è stato creato è stato esposto solo due volte, a Londra nel 2007 e a Amsterdam nel 2008. Il biglietto di ingresso alla mostra, comprensivo della visita a Palazzo Vecchio, costa 10 euro. Gli orari sono gli stessi di Palazzo Vecchio: tutti i giorni 9-24, il giovedì 9-14.
Uffizi Gallery
This is one of the most famous museums of paintings and sculpture in the world. Its collection of Primitive and Renaissance paintings comprises several universally acclaimed masterpieces of all time, including works by Giotto, Simone Martini, Piero della Francesca, Fra Angelico, Filippo Lippi, Botticelli, Mantegna, Correggio, Leonardo da Vinci, Raphael, Michelangelo and Caravaggio. German, Dutch and Flemish masters are also well represented with important works by Dürer, Rembrandt and Rubens.
The Uffizi Gallery occupies the top floor of the large building erected by Giorgio Vasari between 1560 and 1580 to house the administrative offices of the Tuscan State. The Gallery was created by Grand-duke Francesco I and subsequently enriched by various members of the Medici family, who were great collectors of
paintings, sculpture and works of art. The collection was rearranged and enlarged by the Lorraine Grand-dukes, who succeeded the Medici, and finally by the Italian State.
The Uffizi buildings also house other important collections: the Contini Bonacossi Collection and the Collection of Prints and Drawings (Gabinetto Disegni e Stampe degli Uffizi).
The Vasari Corridor, the raised passageway connecting the Uffizi with the Pitti Palace, was built by Vasari in 1565. It is hung with an important collection of 17th-century paintings and the famous collection of artists’ Self-portraits.
Felix Nadar & Co. at the Marino Marini Museum in Florence from 13th October 2010 at 10:00 a.m. to 09th November 2010 at 05:00 p.m.
From 13.10.2010 to 09.11.2010 is open in Florence the at the Marino Marini Museum.
More than 40 photo-portraits shot by the French photographer Felix Nadar - and selected out of the mediatheque de l’architecture et du patrimoine will be shown at the Museo Marino Marini, beside recent works by contemporary artists who tribute an homage to him and his portfolio.
Among the artists invited, just to name a few, Frank Horvat, Gabriele Basilico, Bernard Plossu, Jean-Patrick Gueritaud, Pierre Grech, Francesco Zizola, Julia Fullerton-Batten, Agnès Geoffray, Samantha Appleton, Alexandra Auffret, Chen Man.
From the 21st to the 23rd of October, in parallel to the Festival della Creatività, the exhibition will be open to the general public free of charge.
Opened:
Monday: 10.00 am - 5.00 pm
Wed - Sat: 10.00 am - 5.00 pm
Closed on Tuesday, Sunday and on public holidays.
Tickets:
adults: € 4
children, seniors: € 2
Museo del Bargello
The Gallery of the academy
The Gallery is particularly famous for its sculptures by Michelangelo: the Prisoners, the St.Matthew and, especially, the statue of David which was transferred here, to the specially designed tribune, from Piazza della Signoria in 1873.
In the adjacent rooms, which were part of two former convents, important works of art were collected here in the 19th century from the Academy of Design, the Academy of Fine Arts and from suppressed convents.
The holdings comprise mostly religious paintings by major artists working in and around Florence between the mid-13th and the late 16th
centuries. The collection is especially important for its gold-ground paintings. In the first floor rooms is a sequence of splendid late-gothic polyptychs, complete in all their parts. There is also a collection of sculptures in plaster by the 19th-century sculptors Lorenzo Bartolini and Luigi Pampaloni, besides a section of Russian icons. Recently the Gallery has been further enriched by the important collection of old musical instruments from the Cherubini Conservatory, the Department of Musical Instruments.
Museo la Specola
Il Museo LA SPECOLA, fondato dal Granduca Pietro Leopoldo di Lorena, fu aperto al pubblico nel 1775 ed è il più antico museo scientifico d'Europa. Contiene la più grande collezione al mondo di cere anatomiche, eseguite tra il 1770 ed il 1850, ed oltre 3.500.000 di animali di cui circa 5.000 esposti al pubblico.
Attualmente La Specola è una Sezione del Museo di Storia Naturale.
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